13 Nov
Buttons

Our Story | LPMC x PW

The Beginning 

La Petite Maison Couture (Elaine) and I fell head first into sewing garments and dreaming up sewing plans. Leading us to take pictures of ourselves and explain our creations and everything that went into the project on the internet, from the fabric to the seam finishes. This is how we first found each other and connected. We’ve followed each other on instagram for years and years. I was first and foremost Elaine’s fangirl! Her makes, style, outfits, photography skills and just that Paris girl something!

I nervously reached out to Elaine (sliding into her DM’s) last year on a wave of optimism hoping she would be open to collaborate with Pigeon Wishes to create her own button collection. Elaine made me wait nervously for a few months before replying! But it was with a big yes and much enthusiasm! Elaine has such a strong vision and sense of style. I knew whatever she would design would be so utterly beautiful, sophisticated and with that……je ne sais quoi. Spoiler: I wasn’t wrong.

Images @LaPetiteMaisonCouture | Labels

Making a Business

We found, we wanted to create those perfect finishing touches. Elaine’s business (LPMC) focuses on labels and Pigeon Wishes focuses on buttons. The finishing touches of a garment that bring something special, makes you smile a little more and make you want to gaze more closely at the details. We have almost opposing styles, that somehow overlap. I definitely lean into the excess and Elaine is sophisticated elegance. However, colour, pattern and detail is at the core of our fashion styles and preferences. 

The Heritage Collection

We knew straight away that we wanted to create outerwear buttons, drawing inspiration from English roots and Parisian aesthetics. Both of us having experience creating physical products, we knew exactly the feeling we wanted people to have when holding our buttons and as sewist we wanted our buttons to work with as many patterns as possible. Ultimately we want our buttons to inspire and create joy. Sewing has been a massive part of our lives. Enabling us to make friendships and connection, give us focus and respite in times of stress and release our creativity.

That’s our story but now the rest of the story is yours! Buttons will be released 16th November, we cannot wait to show you the collection in full!

Best (pigeon) Wishes,

Meg

23 Nov
Buttons

Isla Trench Coat, Named Patterns | Pigeon Wishes Buttons

by Anna Kaminska of Anna Tries to Sew

Like all good love stories, this one started with the details… I have been obsessed with Meg’s buttons from the moment they became available for sale. I am pretty sure that I have snatched some in every single button drop and I always have a very hard time restraining myself. And this whole story started with Meg’s buttons too.

I had this vague idea that it would be cool to make a trench coat – a challenging make to push me out of my comfort zone. I had been looking for a trench in the shops, but nothing really spoke to me as even the pricier ones (around £200) were not flawless. Then one day in October, as I was scrolling on Instagram to procrastinate from work, I came across some Pigeon Wishes buttons again and I just KNEW that I needed to make a trench coat with Meg’s buttons. That started a flurry of looking through patterns online and looking for the perfect one that is worth the effort. Finally, I reached out to Meg to ask if she had some similar buttons in 2 different sizes (large and medium) as that’s what the pattern asked. Alas, she did not have the Ocean Leopard buttons (my all-time faves!), but she offered to show me some other ones. When she showed me these – I just fell in love! (Side note: I mean, I fall in love with all those buttons… but these were just so perfect). I love that they are transparent in some places, I love the irregular shape which reminds me of pebbles at the Stonehaven beach and the colour is just gorgeous. Before I even got the chance to ask how I could get them (they weren’t on sale yet), Meg offered to send them to me. I was over the moon and the crazy planning commenced!

First of all, I knew that I wanted a semi-classic trench. I wanted all the details of a classic trench (the cape, the neck fastening, double breasted, belted…) but I also wanted some drama. Named Patterns Isla trench brings just that with its extra length and beautiful construction details. I ended up ordering some cotton twill from the New Craft House and viscose twill lining from Selvedge and Bolts (by the way, the name of the lining fabric is ‘As I Mentioned Earlier, I Am Luxurious’ and, oh my god, that’s such an accurate name!). When both fabrics and the buttons arrived, I actually squealed from excitement – I was just so happy with how all the materials went together. I quickly pre-washed the fabrics, printed and assembled the PDF pattern (lol, almost 100 pages…), I even cut the pieces out! …and then life kicked in… Whoever works in academia will know that November and December are just marking, marking, marking.

I finally had the time to get started with sewing at the end of January. Slowly, over 2 weeks or so, I put together the Isla trench coat. Sewing it was such a pleasant experience. I did not use to be the biggest fan of involved projects, but lately I’ve been really craving the escape of sewing, and Isla did just that for me. Most of the seams were overlocked, sewn, pressed, then top-stitched twice. So, you can imagine how long each seam actually took. But I really enjoyed the process. I enjoyed seeing the pile of pattern pieces become smaller, and the ‘amount of trench coat’ on the hanger becoming more substantial at the end of each day. The most difficult part for me to sew was the vent. It was only my second one, and the first lined one. I think I had to rip the stitches 4 times before I finally decided that it will be good enough and no one actually cares about it apart from me. As usual, it turns out that I don’t care either, it’s not like I can see the inside of my vent when I’m wearing it…

When it finally came time to sew on the buttons, I decided that these ones deserved to be sewn on by hand (yes, all 16 of them…). It was the only fitting way to end such a lovely project. It was my first time creating a thread shank, but I think it went well as the instructions in the pattern were great.

It’s now been 2 months since I made the trench coat and I’ve worn it lots. It’s the perfect piece for my spring wardrobe (and to be honest all year round in Scotland…). As the second semester is winding down (marking hell again!), I have finally had time to write about it. I can honestly say that I could not be happier with how this trench came out. It all started and ended with these stunning buttons. They really make me smile every time I wear the trench. I think it’s so cool that they are lighter than the fabric and that you can see the rusty brown colour peeking through. And even if I move away from Aberdeen someday, these buttons will always remind me of pebbles on the Stonehaven beach, bringing back beautiful memories.

18 Sep
Pattern Review

By Hand London | Jenna Dress

Written by Megan Valero

Hello Stitchers!

Welcome to our new blog home and shop website! Now that my toddler (Olimi) is in nursery for 30 hours a week I’m hoping to finally spend time writing blog posts. Something I love to do but always seems to fall to the very bottom of the to-do list. This post feels like a blast from the past as I’m doing a pattern review. My old blog was pretty much solely dedicated to indie pattern reviews and was used as an informal diary for my makes. I don’t keep notes for my makes and it’s seriously frustrating not having a record of changes and to look back over. I hope my review can help you as well as myself!

So after about a year in the sewing, I finally finished sewing the By Hand London, Jenna dress. It was a long and winding sew! Here’s my rundown…….

The pattern

I fell in love with the Jenna dress pattern as soon as it was launched. However I was breastfeeding at the time, so I waited until I was only breastfeeding at night before I attempted sewing it up.

It’s a very cool little dress inspired by the 90’s. I was definitely not cool in the 90’s. To me, this make was trying to redeem myself from the questionable belly tops, ring watches, white pedal pushers, branded boring t-shirt and well.….you get the idea! The list goes on! Flashback to when my life goal was to have a 3 piece set inflatable furniture set….

Anyway about the pattern! Like most By Hand London patterns the dress has a romantic air about it.  The dress comes with two variations but I (along with everyone else) fell in love with the sleeves of variation 1, a cute tie cuff. I also loved the square neckline and how this dress is just casual enough to pair well with trainers just as much as ankle boots. The dream.

Fabric

Heavily inspired by Janene’s (@oobop on instagram) tester version I knew I had to use a check or gingham fabric. Cutting check or gingham on the bias is such an effective way to make a bold statement with the print.

The fabric I used was a Walthamstow market bargain I bought a few years ago during a sewing meetup. I love this fabric and had been saving it for something special, however when I got it out to start cutting it I noticed it had this faint, spluttered stain all throughout the fabric. Now, the fabric already kinda looks like a tablecloth so to have this pasta sauce, splattering, staining was not the look! 

Walthamstow does a lot of deadstock fabric and the price was cheap so I felt I couldn’t be too mad but I was disappointed. This has been the first time this has ever happened to me and usually the fabric I buy at markets is great but now I would recommend you make sure to check your fabric when you buy from cheap markets. The staining isn’t noticeable unless you look extremely closely at the fabric thankfully.

The gingham on this fabric it rectangular, which doesn’t look as neat as a square on the bias but I think also has an appeal. I personally think that if your fabric is drapey enough you don’t have to cut the skirt on the bias. Cutting on the bias does take up more fabric and I’m not entirely sure it would be worth cutting and wasting so much fabric without the print adding to the dress. However, that is a personal opinion.

Sizing

OK, so this is why I desperately need to keep a blog for my makes. I can’t remember! I think I cut a UK size 12 for the bust and UK size 14 for the waist and hips…….but again my weight and proportions have fluctuated more than usual since my body was adjusting to weaning off breastfeeding. 

Adjustments

Never cut into your good fabric without doing a toile. I have continued to not learn this lesson many times BUT this time I was determined to do things properly, I did a full on toile (I’m shocked too) doing a full toile for this dress really isn’t necessary and actually only the bodice is fitted, I would recommend just doing a toile of the bodice….which I did with my second toile.

By Hand London are supposed to draft their patterns for a B cup, unless you buy their extended size range which is drafted for a D cup. HOWEVER I would say their patterns are too generous for a standard B. Which for me at the time was perfect. My first toile at the bust fitted the best. I was a small D cup and perfect. I have been a bit spoiled when it comes to not having to do bust adjustments. Since most pattern companies draft for a B cup I’ve never had to do any bust adjustments.

The main adjustment was an armscye adjustment for better mobility, which I seem to do a lot. I always use the Threads tutorial, their video is very clear and useful. I didn’t have to do a broad shoulder adjustment which is something I have to do with certain pattern companies.

The bodice of this pattern took some tinkering with and could probably use a bit more. I started this pattern when I was still breastfeeding and the final version was finished when I stopped breastfeeding completely and during that time my breast size fluctuate and while I still measure as at 36 inches, I’m most definitely back to being a B cup. 

Next time

Unfortunately this needs more toiles. I’ve not cracked the fit on the bodice and am sorely tempted by the By Hand London Fitting eBook. I don’t want to be too much of a perfectionist but the shoulders slip about too much for my liking and with only the bodice needing a nice fit, it would be a shame for it not to be as good as possible.

I’m not gonna lie when I saw how stained my fabric was I kinda did an internal sigh, gave up a bit and treated this make as more of a toile, a nice one but my heart was half out! The zip insertion is not the best and I should have spent more time pattern matching the back bodice but no ragrets (know that’s spelt wrong, it’s just a nod to the film We’re The Millers lol). 

If I make this again I might make the skirt longer. The skirt feels a bit too short for me? Still in two minds about that, I love the length when I’m walking around but when sitting or bending over the coverage is minimal! 

I still love this dress and it really encompasses a period of my life where there were lots of changes. It also doesn’t hurt that this would make the most perfect running through a meadow dress. 

Best Pigeon Wishes, Meg